A

choreographed by Stanley Young in collaboration with Layla May Bruce and Tabitha Dombroski. 

Rehearsals directed by Asier Edeso. 

With thanks to Anna Daly, Harri Eiffert and Zac Priestley for their assistance and support. 

“A” is a record of an interaction.

Two autonomous units—statistically insignificant on their own—are functioning exactly as intended. Each processes inputs, executes tasks, and optimises outcomes within acceptable limits. Nothing anomalous is detected. Then an unscheduled variable appears.

The units begin to adjust. Not to improve efficiency—quite the opposite. They linger. They adapt their rhythms. Data is exchanged that serves no clear objective purpose. Patterns emerge: curiosity, recognition, proximity. Feedback loops intensify. Dependency forms. This state is unsustainable.

One unit, having extracted all viable information from the encounter, disengages and resumes its primary function. Its system remains stable. The other’s does not.

Performance degrades. Processes stall. Absence becomes the dominant input. There is no protocol for loss, only silence where data once flowed.

The synopsis of “A” has been generated by an artificial intelligence.

Thank you for your attention.

Choreographer Stanley Young

Composer A. Corelli — Violin Sonata in D Minor, Follia, Opus 5 No. 12

Performers Tabitha Dombroski, Layla Bruce

Anika Vavić, Rémy Ballot

The Choreographer

Stanley Young is a graduate of Rambert School, having previously trained at The Royal Ballet School. As a freelance dancer in London, he worked across contemporary and immersive projects, including Christine and the Queens’ Southbank Festival, and Company Wayne McGregor for Moschino at Milan Fashion Week. He has been a dancer with Ballet d’Jèrri since early 2024.