This piece opens by honouring Jersey’s sea and granite through percussive sounds. It remembers those who were lost, and acknowledges their connection to the landscape. We glimpse the stories of Marie Esnouf, said to have a witch’s mark on her palate; Symon Vaudin, accused of speaking with the devil in the form of a cat and a crow; and Jeanne Le Vesconte, a healer accused of witchcraft. The performers’ movements reflect the weight of these histories, moments of struggle, resistance, and release. Clasped hands, repeated gestures and bursts of energy mark a shared attempt to push back, to endure and reflect the anguish. The final section remembers the accused as individuals rather than victims, celebrating their inner strength and their connection with their ancestry.